BOOK NOW! CALL OR TEXT FOR A QUOTE TODAY! (407) 462-7794

SHOOT WHEREVER THE SCENE TAKES YOU

EXPERT SPECIALTY CAMERA OPERATOR

High-Tech Camera Work Shot With Seamless Precision

You’ve got the sexy sports car and the dangerously curvy track — we’ve got the know-how, gear, and experience you need to show that baby off right!

A professional camera operator knows exactly how to capture your story. A specialty camera operator takes it to the next level, using mechanical and technology-based camera systems to move your shots beyond ordinary into excellent.

Starling Productions offers best-in-class specialty camera stabilizer systems and highly specialized operators to make it happen.

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CALL OR TEXT
(407) 462-7794

Our Expertise

Our expertise includes past work with:

  • Remote Heads
  • Aerial Gimbals
  • Cranes & Jibs
  • Ultra High-Speed Slo-Mo
  • Dolly Systems
  • Handheld Stabilizers
  • Libra Heads
  • High-Speed Ballistics
  • Shot-Over Systems
  • Car To Car
  • Motorcycle Camera Bikes
  • Air To Air
  • Air To Ground
  • Phantom Flex4K High-Speed Cameras
  • U-Crane (formerly known as the “Russian Arm Car”)
  • Mōvi Pro
  • Black Arm
  • Drones
  • Helicopters

World-class automotive brands like Toyota and Jaguar have trusted us to showcase their cars’ speed, agility, and good looks on tracks and city streets around the nation.

We’ll work with every member of your production crew to get the right shot and make your project perfect every time.

What’s your next project? Let’s talk. Call or email Robert now.
[email protected]
(407) 462-7794

Service areas include:
The Florida Keys, Miami, Fort Lauderdale, Boca Raton, Delray, Palm Beach, Orlando, Tampa, Jacksonville, and Gainesville. Don’t see your city? Reach out and let’s see how we can make your project work.

It truly has been a great pleasure working with Robert and his team over the years from Las Vegas to Orlando and many markets in between. His insight, support, and guidance through the prep/shoot/wrap process is exceptional. No matter the service requested, be it equipment rental, aerial photography or as cinematographer, Robert and his team have always been a true asset for me and my clients.

Amy Murphy

Producer

Two12 Productions

As an editor, I sometimes receive footage that is subpar, or needs to be "fixed in post," as we say. But with Robert, I always know his footage is going to be done right the first time, on set, which is much more time and cost effective for the production. I'm always excited to sink my teeth into footage shot by Robert because I know it's going to, quite simply, look amazing.

Joseph Campanale

Editor

After working with Robert for over 12 years, on hundreds of projects, I've seen him craft a multitude of different styles across many different media: from dramatic, low-key lighting for serious films, to high-key lighting for product-oriented commercials; from kinetic, high-energy Steadicam shots, to breath-taking aerials. And most importantly, all of these different styles and approaches are always at the service of the story he or his clients are trying to tell.

Joseph Campanale

Editor

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